Herschel Caine, the 38-year-old protagonist of Andrew Lipstein’s new novel, The Vegan, is in trouble. He may have, indirectly, killed someone. Or almost killed someone. At the beginning of the book, during a small dinner party in his impressive Brooklyn brownstone, Herschel secretly slips a sleeping aid into the drink of his wife’s old college roommate, a loudmouth lush hogging the conversation, in the hopes this would ‘accelerate her jet lag’. But when this suddenly somnolent guest... [read more]
Joe Molloy, Acid Detroit: A Psychedelic Story of Motor City Music
reviewed by Alexis Forss
‘Detroit was always a great music town, and always will be,’ writes Joe Molloy early in Acid Detroit: A Psychedelic Story of Motor City Music. A deeply felt strain of hometown glory courses through this ambitious and amiable book which, in its 170 pages, zooms through six decades of musical history, builds upon the legacy of the late Mark Fisher, and envisions the renewal of the city’s best countercultural currents. ‘What emerges is an unapologetically modernist trajectory where the... [read more]
It’s hard to ‘do’ Surrealism well in the now, despite its illustrious history. In a way, many of its historical innovations have become part of the wider poetry language. Just as Imagism helped to move poetry into the modern era, thus obviating the need for its own continuation as a ‘movement’, so too did Surrealism help to open the poetic landscape (or mindscape) to new and ‘marvelous’ possibilities, in the process becoming surrealism with a small-s. Yet, Surrealism as a... [read more]
I first encountered Ursula Le Guin’s The Carrier Bag Theory of Fiction last summer. Originally published in 1986, it was reissued by Ignota Press in 2019. I was dubious of its small size, but the bright purple cover appealed to me. As did the title, which elicits both a nugget-sized life lesson, and that the book should in fact be small, since it must be carried. In this essay, Le Guin writes about the human invention of the carrier vessel — which can be anything from a leaf to a net of... [read more]
Lorrie Moore, I Am Homeless If This Is Not My Home
reviewed by Stuart Walton
Towards the end of Lorrie Moore's fourth novel, its doubly bereaved central character asks, in defiant inverse of the classical philosophical query first posed by Leibniz, 'why is there now nothing rather than something?' In a world where popular sentiment hears only a wrong note in the word 'died' , what happens to those who pass, pass on, pass away, leave us, vanish? Newly bereft of both his nearest and his dearest, Finn finds himself reflecting on what it all adds up to. 'Suffering then... [read more]
A preoccupation with matter attends Philip Gross’ new book of poetry, The Thirteenth Angel. This is in keeping with Gross’ themes and concerns in recent years, where he moves into Lucretian mode, assembling modes of being and matter as poetic thought, like a scientist at work. The Thirteenth Angel moves out of the shadows of his previous books, by placing matter — its presence and absence, and the interplay — as part of larger questions of embodiment, attention and breath. Gross however... [read more]
Excellence in art, Aristotle suggested, is founded on melancholy, and this viewpoint found strong support in the Renaissance and Romantic poetry traditions. ‘Do you not see’, John Keats famously asked, ‘how necessary a world of pains and troubles is to school an intelligence and make it a soul?’ The quotation is often invoked by those who argue that suffering and angst are essential for creativity. It may also have informed Anne Carson’s remark that, if prose is a house, poetry is a... [read more]
From 1860 to 1960, over one hundred thousand British children were forcibly emigrated to Canada in order to work as indentured labourers and domestic servants. Known, with extraordinarily callous irony, as Home Children, they were for the most part children of poverty and deprivation, whose families were considered by the patrician philanthropists overseeing the programme to be unable to care for them. Yet as Liz Berry notes in the introduction to her compelling new book of poetry, The Home... [read more]
From his first novel, Ruth, to his latest, Brian, Jeremy Cooper has been remarkably, even grimly consistent in his inclination towards narrative portraiture. The simple titles are deceptively suggestive; his characters are intensely individual but edge towards anonymity. There is nothing secretly noble here. Men and women are mulched back into what feels particularly true and this verité approach extends to the form of the novels, which are reliant on letters, diaries, and catalogues of... [read more]
We carry within us our own shadow. This inner darkness, this phantom self, is a pillar of Jungian thought — and a guiding influence on what Christiana Spens calls ‘The Fear’, a broad existential state that forms the backbone of this philosophical memoir. The Fear, writes Spens, is the ‘emotional reality of oppression, whether it manifests as an individual battle with repressed memories and desires, or overt socio-political conflicts’.
Alongside these metaphysical observations... [read more]
