Look around you and, according to Jane Forsey, you’ll see three different sorts of made things: art, craft, and design. Forsey’s contention in The Aesthetics of Design is that ‘design’ – as a class of things in the world – does not get the philosophic attention it warrants and her goal is to make design visible to philosophy through understanding our aesthetic interest in it. So, for example, she sees an original painting, a gift from the artist; a hand-made desk by a craftsman; and... [read more]
Josh Cohen, The Private Life: Why We Remain in the Dark
reviewed by Helen Tyson
‘Privacy is for paedos,’ announced the former News of the World journalist Paul McMullan in November 2011. Giving evidence before the Leveson Inquiry into the culture, practice and ethics of the press, McMullan captured what seemed to be the driving force behind tabloid and celebrity culture. ‘Fundamentally,’ he insisted, ‘no one else needs it. Privacy is evil … it brings out hypocrisy.’ The private life, according to McMullan, is a dark shelter for the worst imaginable criminal... [read more]
Margaret Atwood suggests that her works, grounded in science, posit a possible reality, and thus she prefers to call them ‘speculative fiction’ in lieu of ‘science fiction’ or any other popular alternative. The MaddAddam trilogy exemplifies her notion that ‘We’ve always been good at letting cats out of bags and genies out of bottles, we just haven’t been very good at putting them back in again.’ The sentiment is particularly relevant today as technology continues to advance... [read more]
Federico Campagna, The Last Night: Anti-Work, Atheism, Adventure
reviewed by Jamie Mackay
Almost 35 years have passed since the brutal repression of the Italian autonomist movement by a Catholic-Communist monster-state but its capacity to provoke the wrath of ideologists across the political spectrum is as palpable as ever. The playful tactics and rhetoric of the new European protest movements, particularly their unified rejection of a homogeneous identity, demonstrate just how enduring the influence of this adventurous insurrection continues to be for those taking up the fight for... [read more]
To put it mildly, David Keith’s A Case for Climate Engineering is a timely book. The Intergovernmental Panel on Climate Change (IPCC) has recently released its latest report on the state of climate science, issuing new warnings about the severity of climate change. At the same time, observers are worried that a political stalemate is likely to emerge from the Warsaw meeting of the United Nations Framework Convention on Climate Change (UNFCCC). We have new certainty about the coming... [read more]
Laura Frost, The Problem With Pleasure: Modernism and its Discontents
reviewed by Ruth Jackson
In his Roots of Romanticism (1999), Isaiah Berlin set out the central tenets of the Enlightenment project in 18th-century Europe:
That all genuine questions can be answered, that if a question cannot be answered it is not a question;… that all these answers are knowable, that they can be discovered by means which can be learnt and taught to other persons;… [and] that all the answers must be compatible with one another.
In our 21st-century European context, we know better than to be... [read more]
The title page of Andrew Greig’s latest novel Fair Helen announces that we have to deal with ‘a veritable account of “Fair Helen of Kirkconnel Lea”, scrieved by Harry Langton’. This may seem of a piece with the unpretentious gorgeousness of the dust-jacket and the faintly Tolkienian map of ‘the Borderlands’. But Harry Langton is a necessary as well as an enjoyable creation. Without him, Greig might find himself exposed in the intimidating territory of retelling one of the most... [read more]
Simon Critchley & Jamieson Webster, The Hamlet Doctrine: Knowing Too Much, Doing Nothing
reviewed by Joel White
The history of the stage and screen production of Hamlet has been haunted by the exclusion of the ambiguous in favour of the particular. These exclusions have facilitated the movement from what is arguably a scattered constellation of ideas in Shakespeare’s original text into a Hamlet with one organising theme. They act to rationalise and produce a coherent meaningful form from the fragmentation of reflection that appears throughout the play. The Laurence Olivier film, for instance, entirely... [read more]
Edward Hollis, The Memory Palace: A Book of Lost Interiors
reviewed by David Anderson
I had this book on the shelf for a couple of weeks before I got around to it. Or I would have done, had I not shortly before its receipt been abruptly forced to dismantle my shelves, and pack up the flat, ready for an undefined period of semi-vagrancy. In truth, I have carried The Memory Palace around in a sports holdall, intermittently replacing it in the modest stack of volumes that make up my mobile library. Perhaps, over the past few weeks, I've taken too literally Adorno's claim that 'to... [read more]
No review of Sergio de la Pava’s debut novel would be complete without a comment on the fact that this now-prize-winning novel was originally self-published. Armed with an unwieldy manuscript of more than one thousand pages, the author (a public defender in his mid-thirties) was turned down by more than eighty publishers. In spite of these rejections, de la Pava decided to publish the book himself using the print-on-demand company Xlibris. Thanks in part to the assiduous solicitation of his... [read more]
