Concept and Form: An Interview With Sophie Collins

by Charles Whalley

Sophie Collins, along with Rachael Allen, is co-founder and editor of tender, ‘an online quarterly promoting work by female-identified writers and artists,’ which, since its appearance last year, has published work by Emily Berry, Carina Finn, Lavinia Greenlaw and Emily Toder, among others. She is currently carrying out research on poetry and translation at Queen’s University Belfast, and her poems, translations and other writings have been published in Poetry, Poetry Review, Poetry London, The White Review and elsewhere. [read full interview]

Documentary Fiction

John Schad, The Late Walter Benjamin

reviewed by Alex Niven

From the Keep-Calm-and-Carry-On aesthetic so beloved of middlebrow publishers and fashion designers, to the sort of atavistic monarchism sparked by the Diamond Jubilee and the Wills-and-Kate retro-domestic revival, the 1940s and ‘50s are – in contemporary argot – the hottest decades in the world right now. Arguably, in a culture that has raided just about every other corner of 20th-century history to feed its consumer-kitsch sweet tooth, partying like it’s 1949 is merely another... [read more]

High Risks, High Rises

Thomas Pynchon, Bleeding Edge

reviewed by Sara Veale

New York as a character in a mystery would not be the detective, would not be the murderer. It would be the enigmatic suspect who knows the real story but isn’t going to tell it. So pens American crime writer Donald E. Westlake, whose words comprise the epigraph to Bleeding Edge, the latest installment in Thomas Pynchon’s varied and well-canvassed repertory. Revisiting the Big Apple as a setting for the first time since his 1963 debut, V, Pynchon heeds Westlake’s direction and employs... [read more]

Clausewitzian Gestures

Howard Caygill, On Resistance: A Philosophy of Defiance

reviewed by Alex Fletcher

‘Saints, hermits, but also intellectuals. The few who have made history are those who have said no.’ Pier Paolo Pasolini Our present has been marked by the enduring iteration and persistence of resistances; from the Arab insurgencies, to the resistance of the indignados and aganaktismenoi, to the global eruption of the Occupy movement, to the ‘Taskim Republic’. Whether experienced as images on a screen, or on the street (through a blurred vision provoked by tear-gas) the last several... [read more]

The Bigger Picture

James Heartfield, Unpatriotic History of the Second World War

reviewed by John Newsinger

James Heartfield has written one of the essential books on the Second World War. It is a relentless, uncompromising account of the conflict as a great clash of Empires. The war consumed millions of lives as the great powers battled for supremacy. It was fought in the interests of and for the benefit of the ruling classes with ordinary people in every country making the necessary sacrifices. Without any doubt, this is how the ruling classes themselves regarded the conflict; but, of course, in... [read more]

A New Sense and Sensibility

Joanna Trollope, Sense & Sensibility

reviewed by Jessie Burton

Jane Austen, perfect social observer, must have perceived only too well the wounds that her challenging life had dealt her. But her confidante and sister Cassandra, possibly under orders from beyond the grave, burned nearly all her intimate letters. Two centuries since the regrettable day Cass decided to make a pyre, the novels Jane Austen left behind continue to make up the material of her soul. Yet those six spined works never seem to be enough. We are insatiable when it comes to Jane. We... [read more]

Manufactured Inequality

Zygmunt Bauman, Does the Richness of the Few Benefit Us All?

reviewed by Nathaniel Barron

The Christian philosopher Blaise Pascal (1623-1662) is famous for having (among other things) sewn a noted parchment to the inside of his suit jacket. The emblazoned note served to remind Pascal of a personal, highly charged event of religious revelation - the so-called la nuit de feu (‘Night of Fire’) - whereby a luminous clarity momentarily possessed the Frenchman. ‘From about half past ten in the evening until about half past twelve,’ Pascal said of the night, ‘Fire!’ And yet the... [read more]

Tired? Distracted?

Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep

reviewed by Maya Osborne

Recently, a friend said to me that she had banned herself from checking her emails over the weekend, but after an internal battle she had given in and logged on. We are more and more prone to checking our emails if we wake in the middle of the night, and no post on Sunday is as quaint an idea as a village green. Jonathan Crary observes in his 24/7: Late Capitalism and the Ends of Sleep that the machinic ‘sleep mode’ ‘supersedes an off/on logic, so that nothing is ever fundamentally "off"... [read more]

Fraternising With the Enemy

Yvan Craipeau, trans. David Broder, Swimming Against the Tide: Trotskyists in German Occupied France

reviewed by Ian Birchall

The Second World War remains a matter of controversy. Two recent books - Donny Gluckstein’s A People’s History of the Second World War (Pluto, 2012) and James Heartfield’s An Unpatriotic History of the Second World War (Zero, 2012) - have argued powerfully that the war was a struggle between empires rather than a crusade against fascism. But what these books failed to give was any account of those who held such a position at the time, and how they put their theory into practice. Yvan... [read more]

Feigning Control

Norman Rush, Subtle Bodies

reviewed by Michael Duffy

Norman Rush’s third novel, Subtle Bodies, acts like a debut in more than one way; this is Rush’s first book about America, and it is his first of a reasonable length to expect a mass audience. Perhaps with this in mind immense care has been taken with its composition. The plot is paced precisely, keeping the novel concise whilst also acquainting the reader with characters who are evoked with practiced roundedness, both personally and politically. This deft presentation of narrative and... [read more]

The Knack of Existing

Jennifer Dawson, The Ha-Ha

reviewed by Ka Bradley

Jennifer Dawson’s debut novel, The Ha-Ha, was published in 1961, two years before Sylvia Plath’s The Bell Jar and seven years after Antonia White’s Beyond the Glass. It is a novel very much of its time: it follows the hospitalisation, breakdown and tenacious recovery of an educated young woman who finds herself a square peg to the round hole of identity. The opening of the novel finds the narrator, Josephine, in recovery. She has been hospitalised in a quietly, disturbingly... [read more]