All Interviews

Untroubled Times: David Stubbs in conversation with James Cook

by James Cook

I talked to journalist and author David Stubbs about his recent book, 1996 & the End of History, an examination of the year as it unfolded in the UK in politics, music, light entertainment and sport. We also discuss Memory Songs, my alternative history of the Brit-Pop moment, told through analysis of the music that informed the era, and recollections of my time as a songwriter during the 1990s. [read full interview]

‘I can’t imagine writing without translation’: An Interview with Livia Franchini

by Thea Hawlin

Livia Franchini is a writer and translator from Tuscany, Italy. Her work has been featured or is forthcoming in The Quietus, Visual Verse, Hotel, Funhouse, the White Review, Minima&Moralia and Nuovi Argomenti among others. In 2016 she co-founded CORDA, a journal about friendship in the time of new borders. In 2017 she joined the organising board for the first edition of FILL, Festival of Italian Literature in London – where she lives and is working on her first novel as part of a PhD in Creative Writing at Goldsmiths. I spoke to her after the inaugural festival about teamwork, translation, and tearing down borders. [read full interview]

People Want to Be Heard: An Interview with Nathan Connolly, Lee Rourke and Gena-mour Barrett

by Dale Lately

'I think there’s a sort of deep trauma in society from precisely this lack of representation that we’re discussing. If you look at books being published it’s a very white middle class kind of affair, there’s no kind of even spread. This is very much what I felt when I entered publishing. In my experience there’s also an expectation from a working class writer to write a gritty realist drama and bring a certain set of psychological tropes to it. And for me that’s anathema. It doesn’t interest me. I’ve never really been interested in serving up what’s expected of me.' [read full interview]

Our Reading Habits Are Changing: An Interview with Arifa Akbar

by Houman Barekat

Back in August, The Bookseller magazine reported that the publisher Unbound would be launching a new online literary journal under the stewardship of Arifa Akbar, the former literary editor of The Independent. The launch of the publication, which will be called Boundless, is now just a few weeks away. I talked to Arifa about her plans for the publication, and the burgeoning domain of online literary criticism in general. [read full interview]

Hesitations and Corrections: An Interview with Garth Greenwell

by James Pulford

When it was published last year, Garth Greenwell’s debut novel What Belongs To You was heralded as a masterpiece and an instant classic on both sides of the Atlantic. Deftly depicting the stickiness of shame, desire and guilt, the novel tells the story of a young American teacher who falls for a Bulgarian hustler while living in Sofia and, subsequently, his struggle to reconcile the mixture of longing and anguish he feels as a result of their relationship. In addition to recently winning Debut Book of the Year at the British Book Awards, What Belongs To You has also been shortlisted for both the James Tait Black Prize for Fiction and the Green Carnation Prize. In this interview we talked about the role of fiction today; alt-facts and the Trump administration; the policing of LGBT lives; and the notion of literature as a conversation across time. [read full interview]

No One Gets Out Alive: An Interview with Joanna Walsh

by Thea Hawlin

Dubbed by Deborah Levy as ‘fast becoming one of our most important writers,’ Joanna Walsh is the award-winning author of Hotel (Bloomsbury, 2015) and Vertigo (And Other Stories, 2016). I spoke with her on the launch day of her debut digital book, Seed, a novella that blooms, wilts, and grows as you read it. [read full interview]

‘How to Endure’: An Interview with Simon Critchley

by Marc Farrant

In an increasingly violent world, Simon Critchley’s study of suicide underlines the difficulty of attempting to inhabit the mental space of those who choose to take their own lives, where ‘reason runs headlong into one last, long tunnel with no exit.’ To confront head-on this perverse rationality, ‘to meet darkness in the darkness,’ in the winter of 2014 Critchley took up residence in a hotel room with a sea-view in Aldeburgh, on the North Sea coast of Suffolk, England, and wrote. The resulting book, Notes on Suicide, is both an exercise in philosophical exposition and a movingly intimate engagement with an intractably personal issue. In this interview we discussed a range of issues related to suicide, including the religious and psychiatric discourses around it and its consequent framing in our moral imagination. [read full interview]

Concept and Form: An Interview With Sophie Collins

by Charles Whalley

Sophie Collins, along with Rachael Allen, is co-founder and editor of tender, ‘an online quarterly promoting work by female-identified writers and artists,’ which, since its appearance last year, has published work by Emily Berry, Carina Finn, Lavinia Greenlaw and Emily Toder, among others. She is currently carrying out research on poetry and translation at Queen’s University Belfast, and her poems, translations and other writings have been published in Poetry, Poetry Review, Poetry London, The White Review and elsewhere. [read full interview]

Ponzi Scheme Capitalism: An Interview with David Harvey

by Steffen Böhm

David Harvey’s work on political economy, urbanism and the legacy and ongoing theoretical interpretation of Karl Marx has been at the forefront of critical debate across the humanities and social sciences since the 1970s. In Seventeen Contradictions and the End of Capitalism, recently published by Profile Books, the pre-eminent economist and thinker provides an incisive guide to the world around us, and a manifesto for change. In this interview, Harvey discusses the significance and centrality of the theory of political economy to understanding the post-2008 landscape; he also considers the transformation of the meaning of labour, digital technologies, rentier capitalism and emergent spaces of hope and promise. [read full interview]

One’s Twenties Aren’t Easy: An Interview with Rosa Rankin-Gee

by Michael Duffy

In her exciting debut novel, The Last Kings of Sark, Rosa Rankin-Gee successfully evokes the image of life on a small island as a constant negotiation with the past. The narrator, Jude, wants her summer narrative to begin with leaves, light and sun-kissed beaches; instead, it opens in the cockpit of a private plane hired by her father, merchant banker Eddy Defoe, to supply his family with frozen meat and expensive French mineral water. The novel follows the characters through a tense summer on the titular channel island, and into their later lives of labour and love in France. [read full interview]